Counterpoint The Polyphonic Vocal Style of the Sixteenth Century. By Knud Jeppesen, foreword by Alfred Mann Book Item: X. $ Add to Cart. Knud Jeppesen was a Danish musicologist, composer, and writer on the history of music. His work Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German . Jeppesen, Knud – Counterpoint – Ebook download as PDF File .pdf) or read book online.
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This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Knud Jeppesen No preview available – The review must be at least 50 characters long. Musical Structure and Design. Guide to Chamber Music. How to write a great review.
Knud Jeppesen – Wikipedia
The Principles and Practice of Tonal Counterpoint. Skip to content Skip to search.
His doctoral thesis was expanded in and appeared in English in as The Style of Palestrina and the Dissonance — a work which The New Grove cites as being the “most distinguished and influential example of stylistic analysis at this time”.
What Makes It Great? Open to the public ; The jeppesdn is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. The University of Melbourne Library. Jeppesen engaged in much primary research — locating early manuscript and print copies of old scores and preparing editions with annotations and commentary.
His published writings mostly regard music by Italian and Danish composers from the sixteenth and seventeenth centuries. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen’s classic study. Biography portal Classical music portal.
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You can remove the unavailable item s now or we’ll automatically remove it at Checkout. The second part of the book contains an extended treatment of “species” counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and coknterpoint Mass. Counterpoint, Composition and Musica Ficta.
Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century – Knud Jeppesen – Google Books
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Bach’s Cello Suites, Volumes 1 and 2. None of your libraries hold this item. A Chord in Time: This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more. The Notation Is Not the Music.
Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
Separate different tags with a comma. The Rise of Music in the Ancient World: The University of Melbourne. Be the first to add this to a list.
State Library of Queensland. From to Jeppesen was Nielsen’s closest associate, and Jeppesen wrote several important articles about that composer. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more.
How to write a great review Do Say what you liked best and least Describe the author’s style Explain the rating you gave Don’t Use rude and profane language Include any personal information Mention spoilers or the book’s price Recap the plot. Edited for Solo Keyboard by Carl Czerny. Knud Jeppesen 15 August in Copenhagen — 14 June in Risskov was a Danish musicologistcomposerand writer on the history of music. New Music of the Nordic Countries.
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These 6 locations in All: Knuud result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. He passed the organist exam at the Royal Danish Conservatory of music in This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more. Structural Functions in Music. Notes Translation originally published: He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries.
Tonal Coherence in Music. April 15, Imprint: