Lydian Chromatic Concept Theory basically asserts that the lydian scale is more [It] implies an evolution to higher levels of tonal organization. The LYDIAN TONIC, as the musical “Star-Sun,” is the seminal source of tonal gravity and organization of a. Lydian Chromatic scale. [ ] UNITY is the state in. 5 Jan The Lydian Chromatic Pentatonic Concept- now that’s a really catchy George Russell’s Lydian Chromatic Concept of Tonal Organization.

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In other projects Wikimedia Commons. This innovative band leader, influential composer, legendary educator and philosophically profound master of music devoted 50 years of tireless, purposeful development in forging and generously disseminating his visionary theoretical system.

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For example, analysis of compositions by J. Andy made the decision to move to Boston in to enroll at the New England Conservatory of Music NEC with the definitive aim of apprenticing under the guidance of George Russell, a long-standing Department of Jazz Studies faculty member. Why is the Lydian Scale of paramount importance in this Concept?

Much more detailed and comprehensive answers to all these questions and the issues they raise are only made available in the book itself, properly presenting the knowledge within the context of each chapter and lesson.

Lydian Chromatic Concept of Tonal Organization – Wikipedia

I’ve been looking for the same thing. Here is another quote from the text in question that might help: It is important not to conflate functionality with tonality.

A very high level of integrity, refinement and excellence prevailed in his life. What is the Lydian Chromatic Concept?

Here are some of the most frequently asked questions about the Lydian Chromatic Concept. Tonal Gravity is measured vertically as well as horizontally. To this end, the fifth then establishes itself as the basic unit of tonal gravity whereby “a ladder of fifths proceeding upwards from the tonic What is the primary difference between the Lydian Chromatic Concept and all other theories of music?

One of the beauties of The Concept is that it is designed for musicians and non-musicians chromatjc. Art Farmer said that it “opens the door to countless means of melodic expression” [6] and critic Joachim-Ernst Berendt described it as “the first work deriving a theory of jazz harmony from the immanent laws of jazz” and as “the pathbreaker for Miles Davis ‘ and John Coltrane chrokatic ‘modality'”.


What is the aim of the Lydian Chromatic Concept? Bach and Maurice Ravel are included in the current volume to reinforce the all-inclusive nature of tonal gravity. I rarely see productive conversations when people start using “cents” and “Hz” as you can quickly dissolve the inherent validity of any note.

Its contribution is relevant in all stylistic genres of music and from all time periods. Each Chromatic Order has seven principle scales. No art form or theory is complete without some basis in psychology and spirituality. These principle scales along with most things in this theory are derived from the overtone series.

It should be noted that the current book presents these specific subjects far more extensively than in previous editions.

The previously released versions of the book have been used to teach the LCCOTO at colleges and universities around the world over the last orrganization years. The focus, attention, and consciousness you put into the study of the Concept will uncover greater meaning and an expansion of your musical understanding, regardless of the stylistic genre of music to which you apply it.

If you could sit down and write stuff like that out He wrote stuff like that and it was incredible. This page was last edited on 30 Octoberat Opening up to those possibilities requires patience, concentrated thought, and dedicated study. There are 3 states of tonal gravity: To this end, the fifth then establishes itself as the basic unit of tonal gravity whereby.

Chromstic seeking what music ITSELF is telling us about its own elemental structure, The Concept supplies the necessary means to conceive that a gravitation field of tones exists as a self-organized order of unity. Are there any connections drawn in The Concept between music and psychology? This requires you to master a sense of independence and self-awareness. To do this requires a willingness to learn that emanates from self-motivation.

The Lydian Chromatic Concept of Tonal Organization

Post as a guest Name. Through the Concept the law of gravity is apparent. No art form or theory is complete without some basis in psychology and spirituality. Is the current revised edition dramatically different from the previous chromxtic For instance, to construct a C Lydian scale one could list the first seven tones on the circle of fifths starting with C, the desired Lydian Tonic.


I’m going to give a very cursory simplification for the answer because asking about Lydian Chromatic theory is just like asking about Set Theory or Serialism. I wasn’t about to get into an argument whether the 11th partial is closer to a 4 or a 4, I just pointed out that your mentioning the overtone series might be misleading, because Russell only uses the perfect fifth and nothing else from the overtone series as an argument for using Lydian as the basic scale.

The Concept has a unique way of interpreting and translating the things of great value that music can tell us–something about the meaning of organization and gravity. He has had the honor of assisting George and Alice Russell in preserving and propagating this exceedingly meaningful work ever since. Here is a letter of recommendation written by Mr.

It has existed in a state of continual evolution since the early s. The Lydian Scale was not chosen as the primary scale for this system cocnept music theory because it sounds nice or has some subjective or historical significance. If you happened to organizatin the top of my answer, you would have seen that I said that the theory “asserts” as in an inference that the lydian scale is more closely aligned to the natural, universal properties of sound than the conventional major scale, not that the theory itself states it explicitly.

Who can most benefit by studying the Lydian Chromatic Concept? George Russell was Andy’s mentor in not only the Lydian Chromatic Tthe, but also in the art and science of musical composition. The Lydian Scale exists as a self-organized Unity in relation to its tonic tone and tonic major chord.